| Questions | Answers |
|---|---|
| Have you ever spotted a black jack "crew"? Or seen a "crew" taken out by the casino? | I've seen people TRYING to be a "crew." Most people who think they can count cards, can't. Right after that movie 21 came out the casinos were flush with confused college kids whispering to each other, "What's the count again?" |
| What's it cost to get a hooker to do anal? | Honestly, I have no idea. You can e-mail the prostitutes in Pahrump before going in and they would tell you if they offer the service and how much it would cost. |
| Also, great username. | |
| Do you have blackjack basic strategy down by heart? if so, and I just want to play that way, will you tell me what to do? are you allowed to tell me what to do if I just ask? Related question: do you keep a count of the cards yourself? if so are you good at predicting when a counter is going to make their big bets? | Yes, I have basic strategy memorized and some dealers are allowed to assist players, it depends on the casino. I only keep count if I'm bored or I suspect someone else on the table is counting. |
| My brother-in-law, Bob, was in Las Vegas last week. What did you think of him? | Bob was a delight for everyone and a generous tipper. We'd love to have him back again. |
| If I were to make a trip to Vegas, how would enabling the Wild Wasteland perk affect my travels? I've heard some people say it's what the experience should be in the first place and others say it's just stupid. | Enabling Wild Waseland turns the Wild Wild West Casino into a casino based on the Wild Wild West movie adaptation starring Will Smith; I don't recommend it. Plus the walls get all clippy. |
| What is the deal with counting cards? Is it easy to spot? If so, do you get a lot of amateur card counters trying to do this or cheat in other ways, and what is the normal course of action? Thanks! | Very few people actually try to cheat here. Spotting card counters is all in the way that they bet. It's a certain formula with very few methods of deviation so if they don't follow it strictly it doesn't work so nobody is worried about the amateurs. If a dealer suspects someone of card counting, they report it to their pit boss who then watches the game. If the person IS thought to be card counting they are simply denied service at the casino. |
| What happens if you drop a chip on the ground while dealing blackjack or roulette or some other game? Would you bend down to pick it up or is the risk that someone would take the chips on the table too great? | If a chip is dropped I'll call the floor supervisor over to retrieve it. Yes, the reason is to protect the chip rack. |
| If you were desperate for money, and you had to find a way to take, say, $250,000 out of a casino, what would your plan be? Is there anything you think you could actually get away with? | There's too many security guards, surveillance, and key cards to take it in cash. It's not Ocean's 11 security but they know what they're doing. The only other option would be to steal chips but the large denomination ones are RFID tracked so that would be a bust as well. I'd have a better success rate applying for a loan at the bank. |
| You ever run into any damned NCR? | No, this particular stretch of wasteland is ruled by Caesar. |
| What's your favorite game to deal? | Blackjack is my personal favorite. There's a bit of an art to it that I enjoy. We ARE allowed to cut someone off but it's still a little frowned upon. |
| Are you allowed to cut someone off if they obviously have a problem stopping when they should, like a bartender cutting off a lush? | We can also cut people off from drinking, like bartenders. |
| Can you explain a little more? Is it just that it's hard to tell a guy who's just lost a lot of money from a guy that has just mortgaged his house a third time? | The 3rd mortgage story is actually pretty rare. Most gamblers are actually quite good with money. But there are signs we look for to spot problem gambling patterns and direct them to appropriate help. |
| What other games do you deal? I'm a former croupier. I deal all the games. I used to get high limit black Jack a lot, because I was young, cute and pleasant. That meant more tips and less marks. However, I always had more fun in low level games. I'd take $5 black Jack over hand held baccarat any day. Thoughts? | I deal all of them as well, although I'll admit craps is not my forte. I'm always impressed with the ones who do it well. I prefer low-level stakes myself. Baccarat's a hellishy boring game to deal. |
| What are the signs you look for? | Multiple trips to the ATM is one. Suddenly gambling much larger amounts of money is another. Referred to as going "on tilt." |
| So full tilt would mean gambling large sums? If so, TIL. | It's a term more commonly used in poker but yeah, that's what it means. |
| What's the most you have seen someone win in one hand/night? | The biggest I've seen in one hand was a bad beat jackpot dealt in the poker room. The winner left with a little over 250,000 dollars. |
| What's the etiquette when you make a mistake? I was in Vegas recently playing poker and someone innocently took an extra dollar back from the pot, so the dealer didn't return my small blind. I told him, he said the pot was right, I said I put $6 in and it was $5 total to call, he said I took $1 back, I said I didn't, we go back and forth, he makes some personal remark about my being bad at math and how could the pot be right, I make some personal remark about it not being my job to police the pot and him being bad at his job. Eventually he offered to call the floor but the guy who took the extra dollar gives it to me so no floor is called. What's the correct way to handle this type of situation? | If you think a dealer has made a mistake you are correct in telling him immediately. The floor should be called if the situation isn't immediately solved. If the money in question is a small amount (say a dollar or two) then the house usually neutralizes the dispute by putting in the missing money. Larger amounts would go through surveillance though. |
| Vegas is a magic place to me. I love it so much and I'm planning on moving their in my late twenties or thirties, can you tell me what it's like to live in Vegas instead of just visit? Also, how did you get the job of a card dealer? | Locals actually have quite a few perks. Some strip clubs, dance clubs, shows, and etc. have a locals discount or "industry night." The Vegas lifestyle is available to the locals at a cheaper rate but just remember not to do it every day. To get a job as a dealer I filled out an application, passed an audition. Simple as that. |
| What's the residential part of Vegas like? I've only ever seen the popular areas, Fremont and the Strip, or the deserts. And as far as the heat, I live in west texas and I love working in the dry heat. | It's mostly apartment buildings and gated communities alternated by strip malls and bars. The best bars are off the strip, in my opinion. |
| When were you hired? What games did you have going in on your resume, what did you audition for? | I was hired for my current job in late 2010. I had all standard table games on my resume and I was auditioning for poker. Resume's aren't as important in dealing as the audition. If you've been dealing for 30 years and you mess up during the audition, they're going to go with the guy with only 1 year of experience who aced it. |
| What is the largest tip you have received at the table? Is it possible to pick up a casino employee or is that frowned upon? | The largest tip I've received was 600 dollars. I saw a player toss a cranberry (5k) chip to a dealer once. Tips are a big "X" factor for your income and if you're not working at a casino full time it can be difficult to budget. |
| I'm sorry, I completely missed your second question. Picking up a casino employee is possible and not really frowned upon. Don't expect much from the girls dealing in the "party pits" though. | |
| Can roulette dealers really drop the ball within a number or two? Do you work at a newer casino or an old one? I miss the sports book at the Frontier. How long have you been at this? | No, roulette dealers cannot do that. Roulette wheels are checked for bias electronically and any suspicious patterns would attract attention. I've work/ed at newer casinos and older ones. I prefer the character of the older houses but I think the Aria is amazing. I've been dealing for about 10 years now. |
| I was playing blackjack at the Hard Rock a few years ago when a couple of prostitutes joined the table for awhile, trying to strike it up with my brother and me. They eventually gave up and left. The dealer told us he referred to these girls as "rack rats" because when they are successful, it hurt the house take (chips accumulating in his rack). Is that a general term, or just this dealer's lingo? | I've personally never heard it but I wouldn't be surprised if it was a common term. Gaming slang is a lot of rhyming and alliteration. I'd much appreciate it if the whole world would please stop saying "Winner, winner Chicken Dinner." |
| I'm going to Vegas in a couple of months and I love magic. What are some of the best magic shows to go to and how far in advance should I buy tickets? | By far the best magic show, in my opinion, is Mac King's show at Harrah's. Simple, but amazing illusions in an intimate-sized theatre and very funny. Penn & Teller are great as well. The tickets can be picked up for a discount at ticket booths around the strip the day of the show. The kiosks are called Same-Day Tickets or Half-Price Tickets and are a good value. Stay away from the Criss Angel show. It's terrible. |
| Why is Criss Angel terrible, in your opinion? | He spends most of the show posing instead of doing magic tricks. I don't think Criss Angel is terrible, just his Vegas show. |
| Have you ever met a pornstar with hugely enhanced breasts? Like Kayla Kleevage, Minka, or Claudia Marie? | No, but I have met a few pornstars out here. They're generally nice people, although it's always been in relaxed social situations. |
| How... 'relaxed'? | At bars or private/home games. I've never met any at events like the AVN awards. |
| I have 200 Dollars for the night. What things to do will last the longest / provide me with the biggest value / return (average-common sense) - sights,places,activities ? | Depends, are you gambling at all? |
| Yes, Blackjack ? And Roulette maybe ? But I was thinking in the lines of sites / clubs... | If you're going to play low-limit table games you're probably going to want to go downtown to Fremont Street. Set aside about 40 dollars apiece and play the minimum that the table allows. If you want to see a show there are kiosks around the strip and in many casinos that offer discounted tickets for shows on the current day. Clubs are expensive to get into (30 dollars is about average) and the drinks are quite expensive as well (10 dollar beers and god help you if you order anything remotely fancy). |
| If I won 1 million dollars at the casino would the casino report that to the IRS? | Yes, you'd have to sign a tax form similar to a W-2 to receive the money. Depending on how much you'd gambled in the past year you'd have to pay about 30 percent of it to taxes. |
| The correct form is a W-2G, where they should automatically mail/give you at the end of the year. It tells you all sorts of other fun details as well, such as what kind of wagebet you made, among other details. | That's the one. Taxes isn't really my end of the gaming machine. |
| What's the biggest sucker thing you can do in vegas? I've heard that slot machines are actually terrible odds but people play them anyway... so what are the stupidest ways you can lose your money? | Gambling is generally the quickest way, and slots are the worst but I think some of them are pretty cool. I'm someone who likes flashing lights and noise. Many new penny slot machines have been arriving with preset minimum bets like 25 credits but they pay out odd amounts. This usually leads to a player leaving 19 cents or so on the machine and walking away. There's people who just spend all day wandering from casino to casino looking for unclaimed spare change on the machines. It can be lucrative. |
| Im going to vegas soon with my girlfriend. Im only going to be there 2 nights and a day and a half. What is something romantic or exciting that most tourists dont know about? | The hiking in Red Rock Canyon is great although you'd need a car. First Fridays down in the arts district is always fun. There are countless shows (stand-up comedy, theatre, etc.) off the strip. If you're unsure of what to do in a particular stretch of time and need ideas pick up a Las Vegas Weekly. They're available for free all throughout town. |
| Is this a local law, or something? Or does it have something to do with cost? | I don't know but I suspect it's cost-related. Most table games have a 5 dollar minimum bet with a dealer to keep action moving. An undercover cop on the slots could control the pace. I think it's a waste of money either way. |
| Um..why wouldn't the casino cooperate and just give them house chips to bet with and then give them back? Also can you please tell me a good book to learn basic blackjack strategy (I don't like to always sit in front of a computer) | No, the possibility of fraud is far too high to give away money. There really isn't such a thing as "house chips." There are non-denominational chips that are used in roulette as well as specialty chips used for tournament-style play but use of those would blow the cop's cover, obviously. Also, as long as the hookers aren't pestering every player they come across, the casinos don't really mind them so much. They'll need a bed eventually. To learn blackjack strategy (or really any casino game) I'd actually recommend sitting in front of the computer a wee bit longer and visiting wizardofodds.com. It's a great resource for gambling smart. |
| What's the most interesting thing that you've ever seen? | That's a big question. It's all VERY interesting. You'll have to be a little more specific. |
| Has anyone ever made a scene over losing a large amount of money? | As a dealer, you develop quite thick skin. People will call you names and curse a lot but very few actually cause much of a scene. If a scene is caused, security is usually called and they usually eject them. |
| I am going in a couple days with some friends. However, I don't know how to play any of the table games. Do you know any good sites/videos to learn games like poker for a beginner like me? | Actually, many of the major casinos offer free classes that teach you how to play, usually in the mornings from 9-11 am. Many casino games can seem confusing or intimidating. My advice would be to take the free lesson and, if it seems fun, don't be afraid to throw a few bucks on the real thing. Just don't spend all your time in the casinos. |
| What's the etiquette for requesting tips? I had a lucky night at the blackjack table and the dealer was being an asshole telling me my "generosity has been outstanding" is it harder work for me to win? fuck that guy. amiright? | You are right. Tips are voluntary and even if we suggest it, we do it in a way that makes you think it's your idea. Some dealers have no tact and that's sad. |
| Is it not considered rude to ask a guest to tip though? | Yeah, it is but some still resort to it since many people don't know. Most guests that aren't accustomed to tipping will tip after realizing it's the social norm ("when in Rome") but if coerced into tipping will not be likely to later. |
| Are tips pooled? Do you rotate tables? I imagine the tables with larger bets get bigger tips. | Tips are earned on a table-to-table basis when you deal cash games in poker. Table games (everything else requiring a dealer) generally pool tips and divide them equally on a 24-hour timeframe. All dealers rotate into all games (except for Poker, which is usually a completely separate department) at one point or another. Unless there's a generous high roller most of our money comes from the more numerous, smaller tips from low-limit games. |
| How does it work with high rollers? Do they carry the cash they bet with? For example, if someone's playing a $500 minimum bet table, I would assume they'd buy in for 10 to 20 bets worth of chips. Do they really just throw 5-10 grand down on the table? And then you call out "Changing ten thousand" and proceed to show every bill to the camera, turn it over, lay it down (and probably cover the entire table 2-3 times over) and then stuff all 100 $100-bills into the cash box? Or do they establish some sort of credit with the casino and just get chips based on that? | They usually get a line of credit for the higher stakes players, yes but you'll occasionally get the high roller that throws up a few grand on the table in cash. I've seen more than a few people carrying 10k bundles around. There's a guy who plays poker down on Fremont Street called The Duke of Fremont Street (you don't say?!) who carries around a violin case full of cash, gold, and gold money clips stuffed with cash. Some people just like the attention. |
| Besides the line of credit they often have deposits at the cage where they get their chips or wired it in before they plan to enter a casino. Correct me if I'm wrong, MrVegas. | You speak the truth. |
| Do you like Fallout? | Sure do. Big fan of the games. The map of New Vegas is somewhat accurate although not to scale, obviously. |
| What is considered a decent tip at a table? Took a reasonable amount of money from the Cosmo a few months ago. I'm a cheap ass who didn't intend to gamble much and finished my trip playing $25 per hand blackjack. If you were my dealer, I hope my tip was appropriate. | Most poker dealers will get a dollar a hand as a tip. Since poker isn't a house game that tip isn't necessarily a "thanks for the lucky hand" but more of a "thanks for moderating the poker game." If you're playing 25 dollars a hand and you are dealt a blackjack, the blackjack will pay 37.50. A common tip on that would usually be the 2.50 but we appreciate a dollar tip/bet. Anything over 5 dollars (that isn't a high-stakes game) would be considered generous. |
| Fuck you let's not talk vegas. So tell me. What do you think of ohio? | I've never been there. The astronauts seem to hate it though. |
| What did you think of Nick Papageorgio? | That guy from Yuma who works in software? Nice guy. My friend fitted him for a suit once. Although I heard he stole some tourist wallet once. |
| Have you ever seen a person or group of people successfully count cards and leave with a profit? Or are they all losers? | I've seen it done to varying degrees of success, it's just not very common anymore, at least in Las Vegas. Most card counting groups operate in smaller Indian Casinos where the dealers are less likely to be trained against it. Opening a brand new casino in an area new to gaming is like ringing the dinner bell for card counters. |
| Do you have herpes? | No. Condoms are widely available in Las Vegas and encouraged. |
| Is a royal flush really that rare? | The odds of a video poker machine dealing you a royal flush on the deal is a little under 650,000 to 1 (happened to me once). As a poker dealer, I've dealt four in 10 years, although I've run into dealers who've gone their whole careers without dealing one. |
| You mentioned that you have been a dealer for 10 years. Do you see yourself doing this until you can retire or do you see yourself moving up? If you want to move up, what do you want to do eventually? | I could easily see myself doing this for awhile. It's fun, easy money and casinos are the best places in the world to people watch. If I moved up I'd probably like to teach dealers. I view dealing as somewhat of an art form and I'd like to reteach the "right" way. |
| Is card dealing a specialty? In other words, have you never worked craps or roulette? I'm always amazed at how craps dealers can keep track of everything at a busy table. | Pretty much everyone is called a dealer whether they actually "deal" anything or not. I have worked craps and roulette as well. I'm kind of bad at craps, I'm sorry to admit but roulette's fun. |
| What's the deal with the garish, ugly carpets you see in casinos? | I think many of them are just trying to unique. When you line them up right next to each other one mega casino is pretty identical to the next so they have to out-gimmick each other in every way. Also, many casino's carpet is actually coded to indicate areas where minor are and aren't allowed. There's usually a yellow brick road of sorts to registration and elevators. |
| Ok, if you see someone thrusting hard, what do you do? | I hope what they're thrusting into is enjoying the attention and I leave them to their business. I'm not sure what you were asking here... |
| Are there any films that have accurately portrayed what your business is like? | Not really, in my opinion. I honestly think it could be a decent (can't believe I'm saying this) reality show but the corporations that own the casinos would never let us speak frankly. |
| What kind of cards do you use, bicycle?, a deck specific to the casino?, or something completely different? | Most casinos use Kem or Copag cards for poker. Anyone who plays cards at home should pick some of these up. They're pretty difficult to mark, bend resistant, and they're perfect for parties. You can wash them in the sink! Blackjack and other card-based table games generally use custom cards made for the casino. I've never really paid attention to what brand they are since they're changed out so often. |
| My wife & I are going in a few months. (4 days/3 nights). I plan on playing/losing ~$100 on roulette and avoiding the card games. We are mostly going for shows (I'll check out those booths you mentioned) & food. One of the days I plan to send her to a spa and I want to check out some sport related gambling. Where is the best place for sports betting? Is there live betting (quick bets as in : Will Verlander strike the next batter out?) | I've always thought the LVH (the old Hilton) has a really nice sports book and their odds have always been fair. The kind of live betting you're looking for is usually the kind of action you'll get from the other patrons in the sports book. The casino doesn't have time to set odds on that short of notice. |
| What's the deal with craps? I went on a cruise and they had a video on casino games on a continuous loop and i'd watch the craps session over and over and still not get it. i also went on a little mine-class in the casino, was still drawing blanks. is there a "Explain to me like i'm 5" with craps. | Craps is confusing because the objective of the game changes so frequently and the odds are somewhat strange. Unless you want to go in-depth with game strategy I'd suggest putting your money on the pass line and throwing the dice until they tell you to stop. Not the best advice, I know, but I'm not a huge fan of craps. |
| I'll be in Vegas this June, what are the best night clubs? Is it best to buy tickets for the clubs and shows before hand or just go with the flow once I'm there? | It's a little pricey to get in (40 dollars last time I was there, if memory serves me correctly) but the Moon nightclub at the Palms Hotel is pretty damn cool. Open air at the top of the building. I'd buy the club tickets in advance since they're usually the same price. Half-price ticket booth the day of the show you want to see. |
| What is the best local restaurant in Vegas? Like, residential area restaurant. | The Asian food out here is great. The Chinatown District on Spring Mountain is packed with awesome food. Just pick one. |
| I am going to Vegas for my first time in a couple of weeks. Any tips, advice, where is the most fun to be had for the lowest price? Thanks for doing this AMA! | There are lots of groupons available for Las Vegas. The pinball museum is a cheap way to burn an afternoon. |
| Also -is there a proper etiquette when playing with other people (eg Don't hit when a dealer has a bust card), or is it every man for himself? | Proper etiquette is to shore up your hand against the dealer's without harming the other players. Hitting when the dealer is showing a bust card has started more than a few fights that I've seen. Practice basic strategy and try to make sure you're playing with people who do the same. |
| Swingers club? | The two popular swingers' clubs are The Green Door and The Red Rooster. Ladies get in free (of course), single men pay a pretty high cover charge, and couples get in for half price. They're... interesting places to meet people. |
| If someone is counting cards but is also a generous tipper, do you let him get away with it a little longer? | Tipping is one way of diverting attention and, yes, it does work. However, as I stated elsewhere, card counters have to adhere to certain rules and formulas regarding their wagers. They've made blackjack a business and tipping is bad for business. |
| What are some tips to get casino comps? Also what is your favorite buffet in Vegas? (We go to Vegas for the food and right now our Favorite is the Bellagio) | Ask for them. The biggest thing is shyness. There's a lot of people gambling in a casino at any given time so if you want your play to be evaluated for comps, simply tell the dealer or floor manager. I don't eat at the buffets too often. |
| Do you prefer I give you straight tip or put your tip down as a wager? | Alternating them isn't a bad way to go. Or you can always ask the dealer. |
| What's the strangest thing you've ever seen while dealing? | Wilford Brimley calling me a cocksucker. |
| How much do you make per year? | It varies, of course. It averages out to around 38-46k. I'm not a rich man but I enjoy the hell out of life. |
| Is it worth doing a hooker? | That's up to you man. I know people who've had bad experiences with them and I've had people who've had great experiences. Not all hookers are diseased and misguided. Some are business-minded and know that they're offering a service and do so professionally. |
| What do you think about older smaller casinos. Have you been to the tropicana lately? | I enjoy a lot of the smaller places. The Clarion is a great locals hangout and so is the Greek Isles. I was at the Trop yesterday. They recently remodeled almost the whole place. Looks great. |
| I heard the casinos make applicants take a hair test before getting hired...is this true? | Yes, you need to pass a drug test (usually hair) to get hired at nearly all casinos. It's only the one unless you do a union job though. |
| So when it comes to poker, "tight is right"? | I'm not sure I understand what you're asking. Could you elaborate? |
| Thank you for counting my cards when I'm a little slow. | You're welcome. You're there to have fun, not to do simple math all day. |
| I hear there are hookers in Vegas. How much would it cost for the hooker and I to get naked, except for sailor hats. Then we get into a Jacuzzi filled with Pepto-Bismol, and I clip her toenails while she shaves my buttocks. | 3000 dollars. |
| Prostitution is illegal here in Clark County. Just felt like pointing that out. | I couldn't resist the Rat Race reference. Yes, prostitution is illegal, BUT you can drive about 45 minutes west to Pahrump and get a legal hooker at a brothel. |
| Dont a question for you, but this was the best AMA I've read in months! Funny answers, and detailed answers for the serious questions. | Thanks. This is pretty fun, I've got to say. This is my first AMA and I genuinely like informing and entertaining people. It's probably why I love my job. |
| Yes, I'm referring to the playing style. Either you place "loose" and play a lot of hands. Or you play "tight" and play far less hands, the best hands. | Poker strategy is slippery and no one credo or saying is right. If you're a beginner it's best to play a little more conservatively but you'll need to able to change gears eventually. |
| Unless he was controlling a single deck with both hands, never. | Right answer. |
| 10% Generous/Grateful 5% A welcome but standard tip 1% Depending on your attitude towards me, may have been an insult, or just a cheapo. | Never feel like a tip is an insult. I make nearly my entire living by people tipping me one dollar at a time. "Cheapos" pay my bills. |
| I've personally never heard it but I wouldn't be surprised if it was a common term. Gaming slang is a lot of rhyming and alliteration. I'd much appreciate it if the whole world would please stop saying "Winner, winner Chicken Dinner." | Also, the savvy prostitutes will only pick up guys from table games. Vice cops can play slots undercover to try to lure in hookers but can't play table games. |
| Questions | Answers |
|---|---|
| As the music director for a non-profit public radio station, do you ever feel a duty to expose KCRW’s listeners to “important” music which may not be popular among your listeners? Or does the station’s reliance on listener donations necessitate the dumbing-down of music programming to ensure sufficient funding? Is that why more eclectic, but less popular, DJs such as Tom Schnabel are no longer on the air? | Well, you always want to strike a balance between things that are familiar, and things that are going to be a new discovery. A lot of our listeners tune in for music discovery specifically, so that's a priority for us. And over the years, we've been able to present many many artists with their first airplay in the states. So whether it's Adele, or Norah Jones, or whomever, it's almost like the list runs really long. So that's an honor and a privilege, but to your question, you want to strike a balance between things that are accessible and things that are just much more progressive. I still think that our sweet spot is pretty far left of center. I mean our world is far more independent and in most cases unfamiliar to the mainstream. |
| Specifically for Tom, he's still at the station and he hosts an online music blog called Rythm Planet (Link to blogs.kcrw.com so he is still with us. He was our very first music director in the late 1800s. | |
| Jason, thank you for doing this. You've been my favorite DJ for as long as I can remember. Morning Becomes Eclectic is the best show on the radio. What are your favorite small clubs to see bands in LA? What is the coolest place you've ever DJ'd at? | Good questions! For local venues, I like the El Rey and I like the Fonda (even though it's a little bit bigger) and for nightclubs, I think Sound is best. And there's a new spot called DBA which is great too. As far as favorite DJ sets, that's really hard to say because it's like 2 decades of playing. Sometimes if I imagine a map of Southern California in my mind, I could drop a flag at so many locations over the years. But I would say a special honor was playing the Governor's Ball, which is the Oscar's after party, which I've played twice. And also Coachella is a personal favorite because I haven't missed a single Coachella and I've played there 3 times now. |
| As a person who has pretty much been a part of the Los Angeles "EDM" scene since the get-go, what aspect of this recent boom in popularity has been the most surprising for you? Also, any crazy story you care to share about the old school warehouse days?? | Well you know to see EDM on Superbowl commercials, major motion pictures, basically the highest level of popular exposure is pretty remarkable. And also these events, whether it's EDC or Hard or Ultra in Miami, it's pretty astonishing. I didn't expect that it would become as big as it has gotten. But it's certainly validating for those of us who had a sense of its potential very early on, the power of connecting and a different way to experience music unlike rock n roll. As far as the old days, lots of very funny stories. One time I was at a rave and I stumbled down the wrong hallway and came upon a Quinceneara that was happening at the same time. We threw a rave on Catalina called Gilligan's Island in the casino that's out there and I just remember people as the boat was leaving the next morning running down the dock trying to jump on the boat at the last minute. I remember a rave in a bullring in east LA and the Orb played. Fond memories of a really influential event called Organic in 1996, probably the ultimate lineup of any rave, it had Underworld, Orbital, Meat Beat Manifesto, The Orb and the Chemical Brothers. And actually I really hope that we can get a 20 year anniversary of Organic event together. So that would be coming up in a couple of years. Countless memories, breaking into warehouses. I knew these promoters that would go downtown and they would put padlocks on different doors and they would come back a few weeks later and if the padlock had been cutoff they knew they could not use that warehouse, but it was a great way to test whether people were actually using the space. Sort of a reverse psychology there. So if the padlock was still on, they knew it was open season. Map points were also a really big part of the scene. Before everybody had a cell phone, the party would have a voicemail and you would call the voicemail number and you would get directions to a map point. You would go there, pay your money and get a map to the rave. There was always a sense of adventure in the scene. It needed to be illicit and sort of dangerous. That was a big part of it. So you and your friends would drive for hours trying to find these places, and you get there and it would be a giant room or giant sound system, something very special about all of that. I don't run around looking for underground parties anymore, so I don't even know if that scene exists. But I'm sure it does. |
| Hey Jason! Long time listener, first time writer. How much would it cost for you to DJ my wedding? And for the follow-up, will you be the groom at my wedding? | I do not play weddings, it's just potentially a minefield with music, so I steer clear of that. We should probably have dinner first. |
| My question is, what is a common thread you've seen in bands/artists who have started out small/unknown and have broken into wider success? What advice would you give to the struggling independent musicians out there that hope to gain wider exposure? | As far as common thread, I think you just need to love what you do, playing music and making that connection to people. Look at a band like the National right now. Their trajectory is over multiple albums, they are from the midwest (Cincinnati) and now they are headlining festivals. I like that trajectory where it's a slower build, you work to establish an audience over time and over multiple records. It's tough when you go big on your first record. Look at MGMT. They clearly don't like their early success. They have been trying to get away from the music they wrote in college ever since they put the album out. |
| I love KCRW and listening to it in my car is one of the top 5 things I miss about not living in LA anymore. | Yeah, Henry really is crazy. He's outta control, he's a special individual. I recruited him and he's been great. One thing I really appreciate about him is how he has so much passion in what he does, and when you hear that in his voice, you're pretty much going to give anything a chance, no matter what he plays, you're going to sit there and go Ok, if you're that into it I'm happy to check it out. |
| Can you really put on anything you want (that's not cursing)? Like could you find some random band from anywhere and put them on the air, or do you have certain sources that you're 'allowed' to choose from? | Well first, to quote Peter Parker's Spider-Man, with great power comes great responsibility.So I can play anything I want, but I need to be mindful of the audience and the radio station's reputation, and our credibility, so I take all of that very seriously and my goal is to play the best music possible. I jokingly say sometimes that I listen to bad music so you don't have to. And KCRW is an important filter for people, and you know, in a pop culture landscape where there's more choices and access than ever before it can really make your head spin. But that puts KCRW in a more important position. |
| Hi Jason, thanks for coming here. What bands from the past decade or so do you think will hold up as classics of the era? By that I mean the bands that will remain the most culturally and musically important in the coming decades. | Wow. That is a tough one. I'll say that it was great to see Daft Punk receive 5 Grammys just a couple weekends ago. That for me was special because i presented their first DJ appearance in Los Angeles and have worked closely with them over the years, specifically on Tron: Legacy, so to see them validated at that level was pretty special. People know me as a real pioneer for electronic dance music, and they are obviously such a part of that too. The EDM movement over the past couple of decades has been my most significant genre and is my sort of "British Invasion" if you will. |
| As far as other bands, it's really hard to say who will endure, especially these days it seems like you know pop music and culture moves so quickly now because of digital and the internet, you are just seeing things turning over more rapidly. I think that when record labels were in more of a powerful position, they would really help to refine artists over time, but now when artists break on the internet, it's a little more disposable. | |
| Jason I've been listening to you and KCRW since I was 15-16 and it has become the soundtrack to my life, I'd first off like to thank you and the staff for everything you guys do! 1st question: How is your voice so smooth and soothing? Rumor has it, it sends men and women alike into states of delirium. 2nd question: What is your favorite 90's 1 hit wonder, I'll go easy and let you pick 3 :]. Lastly if you were to be stuck with 5 albums to listen for the rest of eternity what would they be? | 1st question: Proximity effect, look it up. 2nd question: Blackstreet's No Diggity, Eels' Novocaine for the Soul, The Breeders' Cannonball. 3: I'll take a shot. I would say The Who's Quadrophenia, The Clash London Calling, Kate Bush's Hounds of Love, Radiohead OK Computer, and Massive Attack's Blue Lines. |
| THANK YOU JASON AND KCRW FOR EVERYTHING YOU DO FOR LA!! RADIO ISN'T DEAD. | You're totally right, I consider those proprietary. |
| P.S. You always have the best background tracks/interludes between sets or when you talk, I'm beginning to think you keep all those instrumentals as your own little gems, and are sending me on a musical scavenger hunt. P.P.S. Please start doing audiobooks. | And people call about the interludes and I either ignore them outright or give them the wrong information. |
| If you could have been apart of any movie to provide music for what would it be? Do you think you could improve it? | Well earlier I mentioned wanting to hang out with Stanley Kubrick. I guess a bunch of his films, but A Clockwork Orange definitely changed my whole worldview when I saw it as a teenager. I think that being involved in that process would have been pretty amazing. I think the genius of Kubrick is that he is a complete filmmaker. I think it really was a case of Kubrick appropriating and placing the ideas, not a traditional film score. But any of Kubrick's films would have been great to have worked on. I really liked There Will Be Blood in more recent times. Gotta credit The Social network and Trent Reznor because it was so unconventional and represented the film so well. |
| One of the things that people don't realize is that composers will come onto a picture when there's already a temp score in place. And the effect of that is usually limiting creatively. Because the direction and the sensibility has already been set in place. And so the conversation is usually with the director saying something like do something like this, I know it's the temp, it's from another film but we're used to that. It's a negative spiral. Sometimes you have directors like David Fincher for instance who involve a composer very early on and there is never a temp. Because a director like Fincher will appreciate the pitfall of doing that. So he involves someone in that process from even the script phase, getting ideas going. That's what we did with Tron: Legacy and Daft Punk. Daft Punk were on that project for 2-3 years wire to wire. On the set we were playing demos they had made. It helped to inform a scene and inform actors on a mood. So not everybody has that luxury because it doesn't make sense for a working composer to set aside 3 years for 1 film but the great films and the great directors (back to Kubrick), these are people that are approaching it with a holistic vision and that's when you get great results. | |
| JB! Long time listenesupporter of KCRW and MBE. I have built a lot of my music library around your selections and have a great amount of respect for what you and your KCRW colleagues do for artists. That said, what genre(s), if any, do you have your eye on for 2014 and who's albums are you anticipating most? | Good question. New music trends are trancehall and gravewave (a mix of witch house and chill wave, it's the next thing). No I'm joking I just made that up. |
| The Beck album is superb. So is the Broken Bells record. Those 2 albums are early candidates for the best of the year when all is said and done. | |
| I went to a PACKED sold out Tame Impala show one time, and you stood right next to us. There was a good 2 foot radius of space/respect around you so you were not crowded. | Practice. |
| How did you get so cool? | Stay in school. |
| How do you line up your music supervision gigs ... do producers/directors reach out to you directly, or is it vice versa? Also, how many of movie/tv/game projects per year can you ideally work on? | Well the music director position here at the station is my priority and takes up most of my time. The other projects such as films, commercials, video games, I will consider on a case by case basis. Honestly they are really about relationships. Directors that I've worked with over time, projects that I feel have a certain creative reward, in other words I'm not just looking for anything to pick up. I don't have a set number I try to do, it's just about interesting opportunities that come up that I'm excited about and working with good people. |
| You play incredible music, and your voice is as soothing as Bob Ross'. Those are the highest compliments I've ever given someone. Are you just constantly listening to new music or do you have interns helping out? What do you think of the Broken Bells new album? Who's your favorite band of 2010+? | Love the new Broken Bells. I listen to all the music. I don't know how I could assign someone like an intern to do that for me. It does not really compute for me. And as far as a favorite band post 2010, let's say M83. |
| Jason, I need to know. Who cuts your hair, player? And can I walk in and say give me the Bentley? | I go to Yuki Sharoni in Beverly Hills, the mecca of hair salons. |
| Hi Jason! Love the show and glad to have discovered it. Thanks for all the music you play. You've really opened my ears! What made you pursue the music life? Was it an artist or a DJ that you listened to when you were younger? | When I was young I was totally fascinated with radio and subculture. By that I mean style and graffiti and music in the city. And so I think without having a set plan I have always known what excites me, what interests me and have naturally been drawn to music and culture. I have always loved radio as a medium. I think partly because it engages the imagination. I think music videos and video in general it establishes too much. It tells you too much. I always liked radio being theater of the imagination and that's what drew me to KCRW originally because there was this exotic music programming and really unusual radio drama that I had never heard before. I'm not talking about the BBC presents Shakespeare, it was weird radio drama like an intimate conversation that you should not be listening to. So I think KCRW always drew my interest from just being very young. |
| 1) How does one become a KCRW DJ, is there anything specific that you look for? | 1 well I started at KCRW as a phone volunteer in the main office and traditionally that's how people get involved and find their way and many of our DJs had their start as volunteers so that's certainly 1 way. We don't really go out and recruit people so much. Henry is an exception but he's an exception in a lot of ways. Get involved is the easy answer. It's public radio and there's a lot of ways that you can. |
| 2) What was the inspiration for bringing back Metropolis? | 2 When I became music director my responsibilities broadened significantly. While my passions for electronic dance music remained, I didn't really have the outlet. It was by popular demand, enough people over time asked me about it and ultimately our general manager brought it up and asked me to bring it back. And so we devised a saturday night program and that's my forum for just pure unadulterated Metropolis. |
| 3) How do you think the electronic music scene in Southern California has changed in the last decade, and where do you see it going in the near future? | 3 Well Los Angeles has always been a beacon for dance music culture. It's probably a combination of reasons (weather, the aspirational spirit, interesting venues, British expats) and so from the early 90s we really picked up from a lot of what was happening in Europe. Over the years it has evolved and we have made it our own in lots of ways. There have been growing pains where the rave scene has had major issues with people being injured, dying, it's just a matter of managing the masses and safety. There have been growing pains. But we do have the biggest dance music promoters in the country whether it's Insomniac who do a number of events including the Electric Daisy Carnival which is the largest single event in the country (used to be in LA for many years), also the Hard Festival, and then megaclubs like Avalon and Create. And also a lot of the leading Djs have relocated here like Tiesto and Zedd. So Los Angeles is undeniably the US capital of dance music. As far as where it is going, it's hard to predict the future but wherever it's going I will be there. |
| Boxers or Briefs? | Briefs. |
| Jason! Awesome job all the time, love MBE! | There are so many different ways to do this nowadays. I think it's very important for an artist to have a strong aesthetic. It's more than the music which needs to be great, but it's an artistic statement that extends beyond that in terms of whatever imaging or affiliation they make. It's really important. And it's definitely not lost on me the effort that is made. I can't really offer a magic bullet in terms of what a solution is for people across the board. But aesthetics are important. For instance if you send me a CDR with some writing and a sharpie, I would prefer to find you based on a compelling statement musically and artistically. So be careful about the partnerships that you strike. Generally people are more forgiving of commercial endorsements and brands, people understand that it's a necessary evil of sorts. But try to be discriminating of who you get in bed with. There are lots of opportunities out there. Music is a special magic that connects all of us. As human beings it's our connective tissue. So if you are able to make that magic, just protect it and respect it and you might have to turn some things down if you don't feel good about it. As far as great marketing, it's more about respecting your craft and finding the right people to help you get the word out. |
| Since you're neck deep in the industry and see a lot of musicians moving towards more innovative ways of making money (due to the old ways not working as well), such as utilizing themselves as brands and integrating alongside partners such as movies (Pharrell + Despicable Me 2 and his 24 Hours of Happy website or even Bieber getting the digital video makeover from addidas) and more - What have you seen in the digital music marketing world that you feel has been really effective in spreading awareness of the artist, brand and getting listeners and fans excited? | |
| Hello, Have been a KCRW member for a while, listen to you in the morning at work, and very excited for this summer's line up at the bowl. anywho, living behind the orange curtain, there aren't many shows down here. KCRW did an event at the Segrestrom Center a couple years back, and that was it, no mas. Any chance it might happen again? Or any KCRW events in Orange County for that matter? Thanks and keep up the good work :) | I totally hear you. And it's really a matter of limited staff and resources. We would love to do more events down there, it's just about finding the time and the energy honestly. We enjoy coming down there and also the reception that we get is always terrific. People really appreciate the effort and that is an important audience for us. But sometimes all we can do is focus on the more immediate community in central LA, but please know that we definitely are trying to find more opportunities down there. |
| When would be the most convenient time during a DJ set to approach you and ask questions? | Never... |
| Hello Jason, I was wondering how it was working on the music for the Matrix? And also, what is your favorite fruit? | I love raspberries. But on the Matrix, amazing project, a good 3 years of my life working with the Wachowskis. Just totally inspiring. A long time ago. Wonderful to be around such creative people. The first Matrix was such a game changer. I also got a Grammy nomination for that soundtrack. Unfortunately I lost to Phil Collins for Tarzan. It's true, I was on the edge of my seat when they made the announcement and then they said Phil Collins. |
| The funny thing about working on a film is that you are too close to it. You see a film in pieces and at the end of it you've seen it 50 times or more so it becomes really difficult to even tell anymore. I knew it was great but it's so hard because your perception is so off. I don't think I knew it would have the kind of pop culture impact that it did. It's just impossible to say that. But amazing group of people, visionaries, and it changed my life. | |
| MBE is hands down my favorite way to discover new music. Thanks so much for all that you do. Probably a hard question, but which in-studio guest session surprised you the most? | Hmmm. Well, I think I hope for surprise every day in terms of what people are bringing to that stage. It's a rarity that any radio station would allow live bands nearly every day to play their hearts out live for the radio audience, it's almost old timey, it doesn't happen anymore. So I hope for the sense of surprise and excitement for everybody. I think the last band that really made me kind of stop and my jaw drop was White Denim. They've been in studio a few times, they're from Austin, Texas, and they are just so good as musicians, they are completely in a zone when they play. It's almost startling to watch. Probably the best live band I know that I've played at KCRW. I mean, everybody's good, but there's something about White Denim, they take it to another level. Oh, and they're at the Troubadour on Friday! |
| Jason. As a curator for the KCRW world festival shows @ the Hollywood bowl, have you thought about bringing house music to the bowl? Something like say Masters at work? a Reunion of Nuyorican Soul? With some contemparies to show the evolution? I think 30 plus years on House music is having a revival currently. Any thoughts on this? | House music is definitely having a revival, largely due to Disclosure, 2 young brothers from England. Their Grammy nominated album Settle is a nod to classic soulful house music. As far as the Bowl, booking is not easy and it has to be done so far in advance so a lot of times ideas will go on a back burner but it's a good one, house music night. We did have the Basement Jaxx from London there 6 or 7 years ago and that was a great night of house music. But the genre has definitely seen a resurgence and that's just the cyclical nature of the dance music world. I think it's down to move in a different direction in time, probably Trance will make a comeback. |
| Hey Jason! You've played Coachella 3 times, and even did the voiceover for their trailer. How did you first get involved with the festival? What were your thoughts on the introduction of the new Yuma tent last year? | Yuma is very cool. It's the result of the Sahara tent getting overblown. The EDM takeover of Sahara, Yuma is the answer to that. And it puts music first. And low on spectacle. It's very much an environment where you can feel the sound. I think it's a brilliant innovation on Coachella's part, and Coachella is a very influential festival. I would guess that other festivals like ACL or Lollapalooza or Sasquatch will probably follow suit. But it's basically an answer to the EDM bombast of Sahara. |
| Hello Jason, what did you have for lunch yesterday? | I went to The Counter (location undisclosed but I love The Counter). |
| Jason, hi. Listening to your show on KCRW for a long time ... nearly 20 years. I volunteered during a few membership drives during your shift too. I'm sure you've had many offers to accept jobs elsewhere. What's kept you in the KCRW studio for all this time? | It's more of an extended family, and you know, it's home. It's like a big house of crazy people and you know the little secret place where you can sneak off and get a little work done, and the place where you're going to run into somebody, it's just sort of a touchstone over the years. So I'm just totally a KCRW person, I listen to the radio station when I'm not here, and I'm here every day. I have been here a really long time. It's really strange, I didn't think I would be a lifer, but it's sort of working out that way. As long as I wake up and I'm excited to come here and excited to play that first record and that first set and figure out how I'm going to inspire people and do something special on the radio, I just don't see a reason to stop. It's really special to find a purpose and a calling. Not everybody finds that. We all make sacrifices here to do what we do, we take less money than we might make or we have to make other compromises in our life but it's worth it. |
| What are your current favorite restaurants in LA? | I love inc. because it's a culinary adventure. I also like Scopa on the west side for italian, and Tar & Roses is also good. We definitely have it good in LA for food. |
| Hi Jason, do you have any advice for an aspiring produceDJ? | Probably find your community. When I think back to the days when I was just getting started, you're naturally gravitating towards your friends and like minded people, whether it's at your college radio station or a live music scene. But don't take any of that for granted. It's amazing to me, looking around at some of my peers today who are successful, are friends I've had for a long time. And you know you really never know. If you find people with a shared passion for something… music, a club scene, a live music scene, everybody has a skill set. And so you probably know a person who can act as a manager or as a promoter or as an art director or as a lighting person, there are so many different ways to express your talents and your passion. I feel like it's easy to overlook these people who are right in front of you a lot of the time, especially when you're hanging out with your friends. |
| Hey Jason, really appreciate you doing this. I'm a huge fan of KCRW and a member. | We host roughly 150 live musicians every year, so it's difficult to pinpoint a few. But personally I loved Underworld. They're a british electronic act and they were just great. But I have a chance to speak with a wide range of artists from Neil Young to Broken Bells. It's pretty crazy. So I really just want to facilitate a good conversation and provide a little insight into an artist's creative process. And there are good and there are bad, but I think my goal ultimately is just a solid conversation. Nick Cave, he's an intimidating figure and an amazing artist, but if you just sort of listen to his music, he seems like a pretty serious customer. That was a real triumph getting a better than good interview with him. It's funny because he is someone who during our conversation talked about the importance of creative tension, and sometimes when you step out of your comfort zone, you bring your best effort, because of the anxiety, because of the tension. And I thought a lot about that when he talked about that and it's true. Having those butterflies really means that you care about something going into it. A lot of artists have dysfunction or they have a certain reputation and from my position you're thrust into a place with someone you don't really know and you have to try to get this conversation done so whether it's Sigur Ros or Ryan Adams, everybody is complicated. So some of my main principles are to be gracious and welcoming. For us, the art is the most important thing. We all rally around the art and the artist. So one of the most important things is to just show our respect for that and our care for that. |
| Just wanted to ask, in your time as host of Morning Becomes Eclectic, who has been your favorite in studio performance and any good stories from the people that have played? | Also as an addition to that, if I can promote our fundraiser tomorrow, we have a very unique place here, we have a very unique philosophy here, and that is only made possible by listener support. We don't answer to a corporation or a boardroom, we are free to share our passions for music and art and culture, and really, honestly the only way we are able to do that is that individuals decide to pick up the phone or go online and support us. It's a very 1 to 1 relationship. So if you want to keep that spirit alive here at KCRW which has made such a huge difference for artists over the years, we hope you will make a pledge starting tomorrow. |
| Thank you for the years of great interviews and not dumbing down electronica and having such a great taste and ear for great music! Who would you say are your favorite all-time electronic music artists that influenced you in the biggest way? Also, if you could open for any electronic music act, who would it be? | I don't know who I would want to open for. Maybe Daft Punk just for the sake of it? Also the year they have had. It would be great to open for them. |
| Long time listener here, loved Metropolis for years, glad it came back. How do you find some of your tracks? Great selection as always. | I'm a fan, first, so I'm always on the lookout for leading indicators, whether it's producers or labels or different recommendations or things that are buzzing online. It's sort of a lifestyle. You're just immersed in a music scene that you love. So I think that when you're approaching it that way with an open mind and excitement for what you do that really helps. Also maybe people will mention things and I will pick up on that and pursue it. Also I review a lot of music, people send me music constantly, I'll get hundreds of submissions a week so I try and go through as much as possible, typically in the evenings. |
| Speaking of listener support, could you break down, roughly, how is the money from donations distributed in order to keep KCRW on air? | Roughly 70% of our operating budget comes from listener donations. The rest of it is from major donors, corporate grants, things like that. people can hear that on the air, it's not quite a commercial but you will hear credits for different people. It's like our version of an advertisement. But 70% is a lion's share. Also we are working on a new building which is part of Santa Monica college but hopefully in a couple of years we will have that finished. That's a huge commitment, but there is something called a Capital campaign where we go to more institutions, organizations like the Annenberg foundation and things like that for support. So it's not so much the listeners for that one. But we are excited to move into a new facility in a couple of years in Santa Monica. It's a big deal and it's been taking a long time. |
| Where do you get all those awesome t-shirts? | I am photographed a lot, so I have to be thinking about my shirt selection. I really like All Saints. I know it's just a mall store, but I think it's because they are from England that I really like them. For more unusual fashions, I like Opening Ceremony. But I have to keep mixing it up, it's true, because I take photos with all the bands that come through and I can't be seen wearing the same shirt every day. |
| Ready for torturous question? Your favorite LA taco spot. Go Bentley! Haha. | El Galleon. |
| Why did you leave KROQ? I first heard you on KROQ on weekends, but I forgot what show you did… Edit: I remember KROQ gave your Silversun Pickups remix a lot of plays back in the day... | Well when I became music director of KCRW it would have just been weird for me to carry on at KROQ. But I love those folks, they do great work and we're still friends. |
| Yay hi Jason! Is there a particular artist you have not yet had the pleasure of interviewing that you would just love to talk to? | Maybe that will be my fallback career if this radio thing doesn't work out, I will do yoga and meditation tapes. |
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